Exhibited November 13, 2011, through May 31, 2012
With its rearranged parts, Inveterate Composition also places itself in recent art history dialogue.
The piece is composed of dissembled parts from two replica “kit” military Hummer shells, recomposed and welded together in a monumental pyramid-shaped stack. Sprayed with metallic icy-white paint, the piece also evokes the form of an iceberg. Additional parts welded between the two create a more cohesive form and refer to extra armaments that American soldiers have recently added to their own Hummers and equipment.
A bass heavy stereo system is installed inside the piece. However, instead of the hip-hop as heard in the city or the heavy metal soundtrack many soldiers use to motivate themselves, the moody songs of whales will emanate from the speakers – the haunting sounds act as a universal cry. In accordance with this soundtrack, the headlights of the cars will be set to dim and brighten. Thus, the lustrous and compelling form beckons visitors and reveals its true identity on closer inspection.
With its rearranged parts, Inveterate Composition also places itself in recent art history dialogue. The crashed car has become an iconic form of the violence and excesses of contemporary culture as seen in work from John Chamberlain’s car part sculptures and Andy Warhol’s infamous Death and Disaster series, to Charles Ray’s Untitled sculpture and Jeremy Deller’s Conversations about Iraq. Summoning references from the political strife and conflict overseas to our planet’s general discord, Rachel Owens’s latest sculpture continues this discourse, while adding focus on environmental distress to the pile of ruins. However, her abstract, melodious form also has a hulking beauty and calming presence that speaks to an undertone of optimism and the potential for change and renewal.
This work was originally developed with the enthusiastic support of the late Clare Weiss, curator for the New York City Parks Department, who passed away in January 2010 after a long battle with breast cancer. This piece is dedicated to her.
This project is supported by The Foundation for Contemporary Art, Brooke and Daniel Neidich, Jerry Speyer and Katherine Farley, The Warner-Stanton Family, The Estate of Theo Westenberger, ZieherSmith Gallery, Industry City and 4×4 Bodies.com and donors from Kickstarter.com.
